Control (video game) – Wikipedia

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Control was built atop this, having the various Objects of Power and Altered Items, along with numerous collectable writings about these objects or other stories in line with SCP. In Control , they reversed the role to make the bureaucracy at the center of the story. Narrative designer Brooke Maggs stated “there is an invisible, assailing presence of bureaucracy in the corporate office setting that is in itself, unsettling”.

The everyday objects that would become Objects of Power in the game were selected to be within the concept of the new weird. One such Object of Power is a floppy disk. MacDonald said he was drawn to use a floppy disk in this manner after reading a story about how many of the United States national missile defense sites had only recently transitioned off floppy disks, and prior to that, these disks could be seen as proverbial weapons that were held with high reverence.

The Oldest House setting was based on brutalist architecture , a style utilizing large concrete blocks popularized in the s and used in many government buildings at the time. The game’s world design director, Stuart Macdonald, described brutalism as a good science-fiction setting, as it has “this sense of power, weight, strength and stability to it”, and when the Oldest House’s geometries are affected by the Hiss, “it makes for a really good contrast with the impossible architecture”.

It served well into the telekinesis powers of the game, as the concrete walls would be used in lieu of a target object when the player throws debris at foes via telekinesis, and the initially pristine spaces end up showing the results of a large, destructive battle. Macdonald used this building as a modern example of brutalism, and created the Oldest House as a “bizarre, brutalist monolith” to house the FBC.

Other real-world architects inspired the game’s structures. Carlo Scarpa ‘s work was used heavily in designing stairways that ascended with other parts of the structure, while Tadao Ando ‘s focus on lighting and spiritual spaces were reflected in other parts of the game. Films of Stanley Kubrick , particularly A Clockwork Orange , as well as films featuring oppressive government agencies, such as The Shape of Water , served as part of the design basis.

Certain areas of the game feature full-motion video sequences. Most of these are of Dr. Another set of videos are short episodes of a fictional show called “The Threshold Kids”, a puppet-based show seemingly aimed at children who may reside within the Oldest House. Remedy worked with Poets of the Fall so that they could incorporate the song dynamically as the player progressed through sections of the maze. The core game includes Easter eggs referring to Alan Wake , which shares similar paranormal themes with Control ; one such Easter egg discusses the aftermath of Alan Wake as part of the FBC’s case files, which concerned what happened in Bright Falls, the primary location of Alan Wake , to have been an AWE.

The past event in the town of Ordinary was alluded to by a backmasking track in the credits sequence of Alan Wake: American Nightmare , with an unknown speaker stating “It will happen again, in another town.

A town called Ordinary. The game’s main voice cast was announced at New York Comic Con in , consisting of various actors from Remedy’s previous games. Matthew Porretta , who portrayed the titular character of Alan Wake , is featured in both voice roles and live-action videos as the character of Dr.

Remedy’s Sam Lake said that he had been yearning to add his native Finland to one of their games, and Control presented that opportunity to incorporate this. The game includes a voice cameo by Hideo Kojima and his English translator Aki Saito; in one side mission, a recording by Dr. Yoshimi Tokui, voiced by Kojima, relates a dream-like experience in Japanese, with the English translation given by Saito. A further challenge in the game’s design and implementation involved creating an environment that would encourage the player to explore, get lost in it, and learn by observation.

Kasurinen felt they did not want to include a traditional heads-up display for the player, with mission markers or other clutter, and instead have the player use mission descriptions in their log and careful observation of the environment to figure out where to go next. To achieve this, Remedy replaced the Havok physics in their in-house game engine with PhysX , and improved their artificial intelligence to enable enemies to take advantage of these changes.

Control was one of the first major games to be released after the introduction of graphics cards that support real-time ray-tracing through DirectX Raytracing. It was the first major title with a nearly-full implementation of all available Nvidia RTX features along with support for Nvidia’s DLSS for resolution upscaling on supported graphics cards. Nvidia heavily promoted Control in its campaign alongside its first RTX graphics cards featuring hardware ray-tracing support.

In May , Remedy announced that they had partnered with Games to publish the game, then codenamed “P7”. In the press release, Remedy revealed that the game will have complex gameplay mechanics and that it will be a “longer term experience” than its previous games.

On 27 August , the first anniversary of the game’s release, Control: Ultimate Edition was released via Steam , including the base game, both the “Foundation” and “AWE” expansions, and the additional free updates. A cloud gaming -based version of the game was released for the Nintendo Switch on 28 October It was the first cloud-based game released on the Switch outside of Japan.

Remedy affirmed plans for at least two additional content expansions to Control , titled “The Foundation” and “AWE”, both narratively set after the main game with Jesse taking on her role as the FBC Director.

However, at the time of Control ‘ s launch, the specifics of this content had yet to be determined, according to narrative designer Brooke Maggs, as the team’s focus was on addressing performance issues for the console version of the games.

Additional smaller, non-narrative content has been released. A new “assist mode” will allow for the player to have more control on customizing the game’s difficulty, with Remedy intending this to make it possible for novice players to complete the game. Remedy announced in June they signed a deal with Games to develop two additional games based on Control.

One will be a direct, “bigger budget” sequel to Control , while the second is a smaller, four-player co-operative spin-off, codenamed Condor. Control received “generally favorable reviews”, according to review aggregator Metacritic. Jeff Gerstmann of Giant Bomb awarded it 5 out of 5 stars and stated it as “a smart and sensational action-adventure.

The dialog is still odd, and the mission structure can be obtuse at times. Digital Foundry and Polygon considered Control on PC to potentially be a ” killer app ” for Nvidia’s RTX graphics cards, citing it as helping to enhance the game’s visual style. By December , the game had sold over 2 million units across all platforms, and Remedy stated Control was their fastest-growing intellectual property since Max Payne. Eurogamer [97] listed Control among its games of the year.

From Wikipedia, the free encyclopedia. Sam Lake Josh Stubbs. Petri Alanko Martin Stig Andersen. WW : 27 August NA : 20 October WW : 30 October WW : 2 February WW : 27 July Game Informer. It’s energy bar ping-pong: shoot, use an ability, shoot, use an ability. In detail: I headshot a soldier with Shatter, leap into the air, dash up to the second floor, throw an industrial copier at the shielded guy at the back of the room, wing a few pistol shots at someone dashing between cover, summon the rubble and objects around me as a shield to take on the incoming rocket, drop the shield and grab the next rocket with telekinesis and fling into the next unlucky Hiss soldier.

This one’s strapped to a chair and floating around in the sky, a fellow telekinesis user. With their health low, I use mind control to turn them to my side. Telekinetic buds, tossing file cabinets around. Good times. With a complete arsenal of abilities, I’m able to bounce around the big, multi-tiered arenas like Superman with a handgun permit. But before I found the dash and shield abilities, and before I finished enough missions to upgrade my health and energy reserves, I was too often pinned to a corner and easily overwhelmed.

It doesn’t take terribly long to get up to snuff, but early combat encounters are frustrating compared to what follows. When you’re fully powered-up, Remedy’s love of flying objects comes to the fore.

The Oldest House’s tidy environments are like water. Every dash sends papers flying, coffee cups crashing. Jesse can toss any object in the environment with her brain, turning banal office spaces and retro futurist underground labs into disaster areas.

Levitating pulls errant objects into Jesse’s orbit, like lazy little moons: staplers, rubble, pencils, printers, corpses. Max Payne would be proud. Control is a top-tier mess-making simulator. But, like the story, the momentum peters out right when things come together. Chasing every skill upgrade through endgame sidequests the credits aren’t the end-end too often climax in boss fights that are conceptually interesting but aren’t fun to fight.

The upgrades are too simple to feel worth chasing anyway, largely linear improvements to health, energy reserves, damage from thrown objects, how many enemies you can mind control at once, and so on. Given how playful the combat already is, I would’ve loved to see some comparably playful deviations in the skill tree. As it stands, it’s just killing stuff to do what you already do more efficiently. Feels great, but doesn’t change much. Control’s combat is slow to start and its overarching story doesn’t go far enough, but it’s a gorgeous font of wonders and poop monsters and wild physics unlike anything I’ve played in recent memory.

Yet despite starring a hero who can fly, damn-near teleport, and crush Hiss bad guys like the puniest of ants with her telekinesis, Control can be seriously punishing.

With no optional difficulty levels, the game can kick your ass in all sorts of agonizing ways during its trickier sections. To ensure Jesse gets through the Oldest House as painlessly as possible, here are some things I really wish I knew before starting Control. With these nuggets at your disposal, you should die much less than I did. Jesse is initially restricted to just one Personal Mod, so you are only able to improve one ability.

As Launch is such a reliable Hiss-slaughtering crutch, make sure you use your first mod slot upgrading it. Any perk that decreases its energy cost will let you use the throw more often, and can prove exceptionally useful during early fights. There were moments that felt like I was directing a super hero movie. My GOTY as of writing this. Very high quality action game. Unique story and excellent game mechanics. Beautiful graphics! PC with RTX on is just pure candy for your eyes!

F you, EA. Not my favorite, but solid effort from Remedy. Hopefully Alan Wake 2 is next. First up gameplay: The gameplay and shooting mechanics are great and So First up gameplay: The gameplay and shooting mechanics are great and I really like them. The game offers several abilities which are just fun to use like force push, hovering etc. In fact, killing stuff with ur “force” is so mu … Expand. Play Video.

Control – Teaser Trailer E3 Control – Gameplay Trailer. Control – Official Gameplay Demo E3 Related Articles. Published: August 23, Get details on the most notable games headed to consoles and PC between now and the end of

 
 

 

Control pc game

 

Are you a beginner who has never played any game? If yes then, you must be indeed confused about which game to play and which one to avoid. To help you in deciding which game can suit your interests we have listed down all the information relating to one of the most popular video games. Control is an action-based video game that wills b extreme fun to play especially if you are a beginner.

So, keep reading further to know more. The control video game was developed by Remedy Entertainment and published by Games. It was initially released on the 27th of August and was released on multiple platforms. Interestingly, this outstanding video game has also received several awards as well for providing the best service. If you are wondering if this game will be difficult to play then, just to break the suspense, it is a challenging game.

You will love playing this incredible game if you love adventure and challenges. Control is a mission-based video game where the players keep getting missions. Each mission will open the door of another and with the completion of every mission; the payers will be getting more involved in the game.

This makes the game more appealing to the players. As stated earlier, the Control video game offers multiple features to the players. It is based on these features that the players decide if that game suits their interests. In the case of the Control video game, the players love playing this game especially because it has excellent graphics and sound effects.

Some other features of this game have been highlighted below. At the start, the game offers a single-player gameplay mode. This means that anyone who loves playing games in their own company without interruptions from other players will love playing this incredible video game.

They will have no issues relating to other players while playing. In addition, what also matters is the genre of the game. In this case, the Control video game is based on shooting.

The players will have to shoot their enemies to defeat them. Shooting games are generally more fun and entertaining as compared to other genres. This is particularly valid for beginners. Well, who does not love extraordinary things? The overall theme of this game is based on supernatural elements and hence, it will excite you if you love watching the out of natural elements. So, if you are a big fan of such a theme then, start playing the game soon. In the final words, only shooting down the enemies will not help you win the game.

If you aspire to defeat the enemy and win the game then, you need to have some of the best strategies. Only when you have the right strategies will you win the game. These were among the notable features that are provided in the game to the players.

In case, you wish to learn more about it then, do not wait anymore to start playing the game. Download Now. You Can Contact Me If you face any problems in installing the file or comment below. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. What is the game all about? Features of the game As stated earlier, the Control video game offers multiple features to the players. Single-player gameplay mode At the start, the game offers a single-player gameplay mode.

Shooting game In addition, what also matters is the genre of the game. Supernatural theme Well, who does not love extraordinary things? Strategies-based In the final words, only shooting down the enemies will not help you win the game. The size of this game is around 42 GB. Who has developed this game? The control video game was developed by Remedy Entertainment.

When was the game released on Play Station 5? The game was released on the Play Station 5 on 2nd February Noah February 16, 0 76 3 minutes read. Noah Hola! I am Noah Smith. I am a small business owner from Toronto, Ontario.

Ever since my childhood, I have been crazy about gaming. I belong to the generation when gamers were imagined to be hooded guys sitting in a pitch-black room with ghastly dark circles under their eyes and a gamepad in their hands. Believe me, I was no different. I used to spend a major part of my day playing and winning.

I used to win… win like a lion, every time. My friends had come to believe that I was unbeatable. I thought that too. I wanted to be the best gamer in the world. But the universe has something else planned for me. I was 23 when my life took an unfortunate turn. My dad lost his life in a brutal car accident. The responsibility of my mom and my 3 little sisters fell right on my head and the ‘gaming beast’ in me ended up selling electronic products in a little shop. I am a tech-guy. The second option for me would have been somewhere in an IT firm.

Ah, well! But, things have not changed entirely. The craze in me has not died yet. I still am a pro gamer, only the passion to be world-famous has gotten a little dimmer. Lately, I have been watching kids spending heaps of money on PC games. Why should we put a price tag on the fun? It was last summer when I got this bright idea to share my knowledge of gaming, gaming equipment and reviews with people who share the same interest as mine. I have used, researched and analyzed the best of everything; beginning from the keyboards to the mouse.

I am going to share the same with you. Thanks to my coding knowledge! I find it unfair for anyone to spend their hard-earned money on simple things like PC games.

Surviving in this hungry world is already very expensive. Why spend more on games? Look for your favorite games in the search bar. Related Articles. Leave a Reply Cancel reply Your email address will not be published.

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Control pc game. The best PC controller in 2022

 
 

The first of these cavernous, vertically-stacked rooms sees Jesse trying to turn off a McGuffin called the Slide Projector, while the final mission objective returns Jesse to the Astral Plane. Both areas are seriously dark. Control is already a dimly-lit game, but I found myself plummeting to my death time and again in these sections. Do yourself a favor and either whack the brightness of your monitor up or crank the in-game brightness slider in the settings menu. Shed a little more light on the situation, literally, and all that levitating action becomes a lot easier.

Dave Meikleham. More features. Jesse’s telekinesis is the best power of the bunch. Control E3 Screenshots. Every characters absolutely makes sense as someone who works in a secret government agency focused on paranatural forces. In This Article. Control Edit Status Wishlist.

Violence, Blood, Strong Language. Initial Release. What is it? A third-person shooter set in a paranormal funhouse. None Link: www. The omnipotent Finnish janitor of the Federal Bureau of Control really wants to go on vacation, but can’t until I’ve vanquished his old nemesis, The Clog. In what we’ll call the ‘bottom’ of The Oldest House, an impossible building in the middle of New York that’s infinitely larger on the inside than the outside, The Clog takes up residence near the coolant pumps, a swirling mass of brown slop that moans like a T-rex roaring bubbles into a glass of milk.

I shoot the wriggling maggot-like tendrils peeking out of the body and the hulking shit monster dissolves and disappears down the drain to the tune of a toilet flushing. It’s never explained, but I like it that way. Clock in, kill a poop monster, clock out, no questions asked.

Keeps the mystery alive. Control is an acrobatic third-person shooter set in an amorphous concrete dimension infested by the sanitized office culture of a s-era government bureaucracy. Aside from a poo beast, you’ll discover new powers and revisit areas of The Oldest House to find upgrades, secrets, and side missions, all while throwing bullets and random objects at bad guys in Remedy’s best combat system yet.

Remedy’s taking a harder thwack at weird fiction than ever before, too. Despite a few weak characters and plot threads, the team succeeds.

In Control, every conspiracy theory, ghost encounter, and alien abduction happened, just not quite for the reasons you’d expect. It’s a collection of stories about seeing through the banality of everyday life, a story about language, mass media, and statecraft delivered with a dry sense of humor and no tether to reason.

I still don’t understand it. I don’t need to. Bless this mess. A floppy disk hurls debris and office supplies at my head. I ran Control on the highest settings at x and maintained fps depending on the complexity of the scene, but my PC is fairly juiced, so it’s not the best reference point. Our complete Control performance analysis opens in new tab covers tons of graphics card options, with ray tracing and DLSS benchmarks as well. Jesse Faden shows up to the The Oldest House with mysterious motives, and through bizarre circumstances that also make no sense at first , she’s suddenly thrust into the role of Director of the FBC.

An Object of Power, a gun called The Service Weapon, chooses her, granting her the ability to wield the weapon and traverse The Oldest House without worry that The Hiss, another unexplainable entity that’s invaded the FBC and has been turning its employees into glowing red monsters, will infect her mind. In Control , they reversed the role to make the bureaucracy at the center of the story. Narrative designer Brooke Maggs stated “there is an invisible, assailing presence of bureaucracy in the corporate office setting that is in itself, unsettling”.

The everyday objects that would become Objects of Power in the game were selected to be within the concept of the new weird. One such Object of Power is a floppy disk. MacDonald said he was drawn to use a floppy disk in this manner after reading a story about how many of the United States national missile defense sites had only recently transitioned off floppy disks, and prior to that, these disks could be seen as proverbial weapons that were held with high reverence.

The Oldest House setting was based on brutalist architecture , a style utilizing large concrete blocks popularized in the s and used in many government buildings at the time.

The game’s world design director, Stuart Macdonald, described brutalism as a good science-fiction setting, as it has “this sense of power, weight, strength and stability to it”, and when the Oldest House’s geometries are affected by the Hiss, “it makes for a really good contrast with the impossible architecture”. It served well into the telekinesis powers of the game, as the concrete walls would be used in lieu of a target object when the player throws debris at foes via telekinesis, and the initially pristine spaces end up showing the results of a large, destructive battle.

Macdonald used this building as a modern example of brutalism, and created the Oldest House as a “bizarre, brutalist monolith” to house the FBC. Other real-world architects inspired the game’s structures. Carlo Scarpa ‘s work was used heavily in designing stairways that ascended with other parts of the structure, while Tadao Ando ‘s focus on lighting and spiritual spaces were reflected in other parts of the game.

Films of Stanley Kubrick , particularly A Clockwork Orange , as well as films featuring oppressive government agencies, such as The Shape of Water , served as part of the design basis. Certain areas of the game feature full-motion video sequences. Most of these are of Dr. Another set of videos are short episodes of a fictional show called “The Threshold Kids”, a puppet-based show seemingly aimed at children who may reside within the Oldest House.

Remedy worked with Poets of the Fall so that they could incorporate the song dynamically as the player progressed through sections of the maze.

The core game includes Easter eggs referring to Alan Wake , which shares similar paranormal themes with Control ; one such Easter egg discusses the aftermath of Alan Wake as part of the FBC’s case files, which concerned what happened in Bright Falls, the primary location of Alan Wake , to have been an AWE.

The past event in the town of Ordinary was alluded to by a backmasking track in the credits sequence of Alan Wake: American Nightmare , with an unknown speaker stating “It will happen again, in another town.

A town called Ordinary. The game’s main voice cast was announced at New York Comic Con in , consisting of various actors from Remedy’s previous games. Matthew Porretta , who portrayed the titular character of Alan Wake , is featured in both voice roles and live-action videos as the character of Dr.

Remedy’s Sam Lake said that he had been yearning to add his native Finland to one of their games, and Control presented that opportunity to incorporate this. The game includes a voice cameo by Hideo Kojima and his English translator Aki Saito; in one side mission, a recording by Dr.

Yoshimi Tokui, voiced by Kojima, relates a dream-like experience in Japanese, with the English translation given by Saito. A further challenge in the game’s design and implementation involved creating an environment that would encourage the player to explore, get lost in it, and learn by observation. Kasurinen felt they did not want to include a traditional heads-up display for the player, with mission markers or other clutter, and instead have the player use mission descriptions in their log and careful observation of the environment to figure out where to go next.

To achieve this, Remedy replaced the Havok physics in their in-house game engine with PhysX , and improved their artificial intelligence to enable enemies to take advantage of these changes. Control was one of the first major games to be released after the introduction of graphics cards that support real-time ray-tracing through DirectX Raytracing. It was the first major title with a nearly-full implementation of all available Nvidia RTX features along with support for Nvidia’s DLSS for resolution upscaling on supported graphics cards.

Nvidia heavily promoted Control in its campaign alongside its first RTX graphics cards featuring hardware ray-tracing support. In May , Remedy announced that they had partnered with Games to publish the game, then codenamed “P7”.

In the press release, Remedy revealed that the game will have complex gameplay mechanics and that it will be a “longer term experience” than its previous games. On 27 August , the first anniversary of the game’s release, Control: Ultimate Edition was released via Steam , including the base game, both the “Foundation” and “AWE” expansions, and the additional free updates. A cloud gaming -based version of the game was released for the Nintendo Switch on 28 October It was the first cloud-based game released on the Switch outside of Japan.

Remedy affirmed plans for at least two additional content expansions to Control , titled “The Foundation” and “AWE”, both narratively set after the main game with Jesse taking on her role as the FBC Director.

However, at the time of Control ‘ s launch, the specifics of this content had yet to be determined, according to narrative designer Brooke Maggs, as the team’s focus was on addressing performance issues for the console version of the games.

Additional smaller, non-narrative content has been released. A new “assist mode” will allow for the player to have more control on customizing the game’s difficulty, with Remedy intending this to make it possible for novice players to complete the game. Remedy announced in June they signed a deal with Games to develop two additional games based on Control.

One will be a direct, “bigger budget” sequel to Control , while the second is a smaller, four-player co-operative spin-off, codenamed Condor. Control received “generally favorable reviews”, according to review aggregator Metacritic.

Jeff Gerstmann of Giant Bomb awarded it 5 out of 5 stars and stated it as “a smart and sensational action-adventure. The dialog is still odd, and the mission structure can be obtuse at times.

Digital Foundry and Polygon considered Control on PC to potentially be a ” killer app ” for Nvidia’s RTX graphics cards, citing it as helping to enhance the game’s visual style. By December , the game had sold over 2 million units across all platforms, and Remedy stated Control was their fastest-growing intellectual property since Max Payne.

Eurogamer [97] listed Control among its games of the year. From Wikipedia, the free encyclopedia. Sam Lake Josh Stubbs. Petri Alanko Martin Stig Andersen. WW : 27 August NA : 20 October WW : 30 October WW : 2 February WW : 27 July Game Informer.

Retrieved 15 March